I viewed this classic scene of the Joker in The Dark Knight, looking closely at its visual cinema techniques as well as listening to the deliberate audio choices. Here are my findings and reflection on the effects of these cinematic choices.
Camera Work: The angles of the camera in this scene are fairly consistent throughout. For a majority of the scene, the camera alternates between shots of the Joker talking to the faces of those he is talking to. The characters are shot directly centered in the screen, showcasing their reactions to what the Joker seems to be saying. The lighting is dark and obscures some of the details surrounding the conversation. The camera seems to be making a deliberate choice, forcing the audience to pay attention only to what is being said by the Joker and the other men. At the end of the scene, the camera pans out and shows the Joker leaving at a greater distance than when he was talking. This is one of the few points in the scene where the camera is not focused solely on one character’s face.
Audio Track: Like the visual component, the audio elements of this scene are solely focused upon the conversation at hand. Much of the audio comes from the dialogue between the characters at first, and then it becomes much more focused on the lines given by the Joker. As the scene progresses and the Joker becomes more engrossed in his monologue, suspenseful music begins playing in the background. This background music begins to increase in volume as the scene moves forward, becomes more intense. Along with the music, the speed and volume of the dialogue between the characters grows and increases as the scene progresses to some sort of climax.
All Together: Having the audio and the visual components together gave this scene so much more depth and intensity than before. The building background music combined with the back and forth conversation gave myself as a viewer an emotional sense of suspense and unease. I felt this viewing the audio and visual separately, however it was with greater intensity that I felt the suspense building as the scene progressed.
Many of these elements were discussed as well in Roger Ebert’s article on how to read a movie scene/shot. Seeing that all of the people shot in this scene were villains in the movie, I did not notice much emphasis on left/right character placement. As I said before, many of the characters were shot head on, like a mug shot as put by Ebert. This shot of their fully faces accurately depicts them as the criminal characters they play in the movie. The build of the music in the background and the growing intensity of the dialogue between the characters also helps move the story element along. The scene seems to be rising, approaching a climax as the music builds in the background.